The Fairy of the Fountains - Part II
Letitia Elizabeth Landon 1802 (Chelsea) – 1838 (Cape Coast)
By a lovely river's side,
Where the water-lilies glide,
Pale, as if with constant care
Of the treasures which they bear;
For those ivory vases hold
Each a sunny gilt of gold.
And blue flowers on the banks,
Grow in wild and drooping ranks,
Bending mournfully above,
O'er the waters which they love;
But which bear off, day by day,
Their shadow and themselves away.
Willows by that river grow
With their leaves half green, half snow,
Summer never seems to be
Present all with that sad tree.
With its bending boughs are wrought
Tender and associate thought,
Of the wreaths that maidens wear
In their long neglected hair.
Of the branches that are thrown
On the last, the funeral stone.
And of those torn wreaths that suit
Youthful minstrel's wasted lute.
But the stream is gay to-night
With the full-moon's golden light,
And the air is sweet with singing,
And the joyous horn is ringing,
While fair groups of dancers round
Circle the enchanted ground.
And a youthful warrior stands
Gazing not upon those bands,
Not upon the lovely scene,
But upon its lovelier queen,
Who with gentle word and smile
Courteous prays his stay awhile.
The fairy of the fountains, she
A strange and lovely mystery,
She of whom wild tales have birth,
When beside a winter hearth,
By some aged crone is told,
Marvel new or legend old.
But the lady fronts him there,
He but sees she is so fair,
He but hears that in her tone
Dwells a music yet unknown;
He but feels that he could die
For the sweetness of her sigh.
But how many dreams take flight
With the dim enamoured night;
Cold the morning light has shone,
And the fairy train are gone,
Melted in the dewy air,
Lonely stands young Raymond there.
Yet not all alone, his heart
Hath a dream that will not part
From that beating heart's recess;
What that dream may lovers guess.
Yet another year hath flown
In a stately hall alone,
Like an idol in a shrine
Sits the radiant Melusine.
It is night, yet o'er the walls,
Light, but light unearthly, falls.
Not from lamp nor taper thrown,
But from many a precious stone,
With whose variegated shade
Is the azure roof inlaid,
And whose coloured radiance throws
Hues of violet and rose.
Sixty pillars, each one shining
With a wreath of rubies twining,
Bear the roof--the snow-white floor
Is with small stars studded o'er.
Sixty vases stand between,
Filled with perfumes for a queen;
And a silvery cloud exhales
Odours like those fragrant gales,
Which at eve float o'er the sea
From the purple Araby.
Nothing stirs the golden gloom
Of that dim enchanted room.
Not a step is flitting round,
Not a noise, except the sound
Of the distant fountains falling,
With a soft perpetual calling,
To the echoes which reply
Musical and mournfully.
Sits the fairy ladye there,
Like a statue, pale and fair;
From her cheek the rose has fled,
Leaving deeper charms instead.
On that marble brow are wrought
Traces of impassioned thought;
Such as without shade or line
Leave their own mysterious sign.
While her eyes, they are so bright,
Dazzle with imperious light.
Wherefore doth the maiden bend?
Wherefore doth the blush ascend,
Crimson even to her brow,
Sight nor step are near her now?
Hidden by her sweeping robe,
Near her stands a crystal globe,
Gifted with strange power to show
All that she desires to know.
First she sees her palace gate,
With its steps of marble state;
Where two kneeling forms seem weeping
O'er the watch which they are keeping,
While around the dusky boughs
Of a gloomy forest close,
Not for those that blush arose.
But she sees beside the gate,
A young and anxious palmer wait;
Well she knows it is for her,
He has come a worshipper.
For a year and for a day.
Hath he worn his weary way;
Now a sign from that white hand,
And the portals open stand.
But a moment, and they meet,
Raymond kneels him at her feet;
Reading in her downcast eye,
All that woman can reply.
Weary, weary had the hours
Passed within her fairy bowers;
She was haunted with a dream
Of the knight beside the stream.
Who hath never felt the sense
Of such charmed influence.
When the shapes of midnight sleep
One beloved object keep,
Which amid the cares of day
Never passes quite away?
Guarded for the sweetest mood
Of our happy solitude,
Linked with every thing we love,
Flower below, or star above:
Sweet spell after sweet spell thrown
Till the wide world is its own.
Turned the ladye deadly pale,
As she heard her lover's tale,
'Yes,' she said, oh! low sweet word,
Only in a whisper heard.
'Yes, if my true heart may be
Worthy, Christian knight, of thee,
By the love that makes thee mine
I am deeply, dearly thine.
But a spell is on me thrown,
Six days may each deed be shown.
But the seventh day must be
Mine, and only known to me.
Never must thy step intrude
On its silent solitude.
Hidden from each mortal eye
Until seven years pass by.
When these seven years are flown,
All my secret may be known.
But if, with suspicious eye,
Thou on those dark hours wilt pry,
Then farewell, beloved in vain,
Never might we meet again.”
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Submitted by Madeleine Quinn on November 11, 2015
Modified on March 05, 2023
- 4:34 min read
- 93 Views
Quick analysis:
Scheme | Text too long |
---|---|
Closest metre | Iambic tetrameter |
Characters | 4,841 |
Words | 906 |
Stanzas | 5 |
Stanza Lengths | 36, 22, 30, 18, 57 |
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"The Fairy of the Fountains - Part II" Poetry.com. STANDS4 LLC, 2024. Web. 1 Jun 2024. <https://www.poetry.com/poem/44080/the-fairy-of-the-fountains---part-ii>.
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