Analysis of The Flies. An Eclogue.



When in the River Cows for Coolness stand,
And Sheep for Breezes seek the lofty Land,
A Youth whom Æsop taught that ev'ry Tree
Each Bird and Insect spoke as well as he:
Walk'd calmly musing in a shaded Way
Where flow'ring Hawthorn broke the sunny Ray,
And thus instructs his Moral Pen to draw
A Scene that obvious in the Field he saw.

Near a low Ditch, where shallow Waters meet,
Which never learnt to glide with liquid Feet,
Whose Naiads never prattle as they play,
But screen'd with Hedges slumber out the Day,
There stands a slender Fern's aspiring Shade,
Whose answ'ring Branches regularly layd
Put forth their answ'ring Boughs, and proudly rise
Three Stories upward, in the nether Skies.

For Shelter here, to shun the Noon-day Heat,
An airy Nation of the Flies retreat;
Some in soft Air their silken Pinions ply,
And some from Bough to Bough delighted fly,
Some rise, and circling light to perch again;
A pleasing Murmur hums along the Plain.
So, when a Stage invites to pageant Shows,
(If great and small are like) appear the Beaus,
In Boxes some with spruce Pretension sit,
Some change from Seat to Seat within the Pit,
Some roam the Scenes, or turning cease to roam;
Preluding Musick fills the lofty Dome.

When thus a Fly (if what a Fly can say
Deserves attention) rais'd the rural Lay.

Where late Amintor made a Nymph a Bride,
Joyful I flew by young Favonia's side,
Who, mindless of the Feasting, went to sip
The balmy Pleasure of the Shepherd's Lip.
I saw the Wanton, where I stoop'd to sup,
And half resolv'd to drown me in the Cup;
'Till brush'd by careless Hands, she soar'd above:
Cease, Beauty, cease to vex a tender Love.

Thus ends the Youth, the buzzing Meadow rung,
And thus the Rival of his Musick sung.

When Suns by thousands shone in Orbs of Dew,
I wafted soft with Zephyretta flew;
Saw the clean Pail, and sought the milky Chear,
While little Daphne seiz'd my roving Dear.
Wretch that I was! I might have warn'd the Dame,
Yet sat indulging as the Danger came,
But the kind Huntress left her free to soar:
Ah! guard, ye Lovers, guard a Mistress more.

Thus from the Fern, whose high-projecting Arms,
The fleeting Nation bent with dusky Swarms,
The Swains their Love in easy Musick breathe,
When Tongues and Tumult stun the Field beneath.
Black Ants in Teams come darkning all the Road,
Some call to march, and some to lift the Load;
They strain, they labour with incessant Pains
Press'd by the cumbrous weight of single Grains.
The Flies struck silent gaze with Wonder down:
The busy Burghers reach their earthy Town;
Where lay the Burthens of a wint'ry Store,
And thence unwearied part in search of more.
Yet one grave Sage a Moment's space attends,
And the small City's loftiest Point ascends,
Wipes the salt Dew that trickles down his Face,
And thus harangues them with the gravest Grace.

Ye foolish Nurslings of the Summer Air,
These gentle Tunes and whining Songs forbear;
Your Trees and whisp'ring Breeze, your Grove and Love,
Your Cupids Quiver, and his Mother's Dove:
Let Bards to Business bend their vig'rous Wing,
And sing but seldom, if they love to sing:
Else, when the Flourets of the Season fail,
And this your Ferny Shade forsakes the Vale,
Tho' one would save ye, not one Grain of Wheat
Shou'd pay such Songsters idling at my Gate.

He ceas'd: The Flies, incorrigibly vain,
Heard the May'r's Speech, and fell to sing again.


Scheme AABBCCDD EECCXAFF EEGGHIXFJJKK CC LLMMNNOO PP QQBXRRSS XXXXTTUUVVSSWWXX XBOOYYZZEX IH
Poetic Form
Metre 1001011101 0111010101 01111111 110111111 1101000101 111110101 0101110111 01110000111 1011110101 1101111101 111010111 1111010101 1101010101 111010001 111110101 1101000101 1101110111 1101010101 101111011 0111110101 11010011101 0101010101 1101011101 1101110101 0101110101 1111110101 1101110111 11010101 1101110111 0101010101 11110101 10111111 1101010111 0101010101 1101011111 0101111001 1111011101 1101110101 110101011 0101011101 1111010111 1101111 1011010101 1101011101 1111111101 1101010101 1011010111 1111010101 1101110101 010101111 0111010101 1101010101 110111101 1111011101 111110101 110111101 0111011101 010111101 11011011 01110111 1111010101 001101101 1011110111 0101110101 110110101 110101011 110111101 1101001101 111101111 0111011111 110110101 01111101 1111111111 1111100111 110111 1011011101
Closest metre Iambic pentameter
Characters 3,294
Words 602
Sentences 19
Stanzas 10
Stanza Lengths 8, 8, 12, 2, 8, 2, 8, 16, 10, 2
Lines Amount 76
Letters per line (avg) 35
Words per line (avg) 8
Letters per stanza (avg) 263
Words per stanza (avg) 60
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Submitted on May 13, 2011

Modified on March 05, 2023

3:08 min read
56

Thomas Parnell

Thomas Parnell was an Anglo-Irish poet and clergyman who was a friend of both Alexander Pope and Jonathan Swift. He was the son of Thomas Parnell of Maryborough, Queen's County now Port Laoise, County Laoise}, a prosperous landowner who had been a loyal supporter of Cromwell during the English Civil War and moved to Ireland after the restoration of the monarchy. Thomas was educated at Trinity College, Dublin and collated archdeacon of Clogher in 1705. He however spent much of his time in London, where he participated with Pope, Swift and others in the Scriblerus Club, contributing to The Spectator and aiding Pope in his translation of The Iliad. He was also one of the so-called "Graveyard poets": his 'A Night-Piece on Death,' widely considered the first "Graveyard School" poem, was published posthumously in Poems on Several Occasions, collected and edited by Alexander Pope and is thought by some scholars to have been published in December of 1721 (although dated in 1722 on its title page, the year accepted by The Concise Oxford Chronology of English Literature; see 1721 in poetry, 1722 in poetry). It is said of his poetry 'it was in keeping with his character, easy and pleasing, ennunciating the common places with felicity and grace. more…

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