Analysis of The Youth of England To Garibaldi's Legend



O ye who by the gaping earth
Where, faint with resurrection, lay
An empire struggling into birth,
Her storm-strown beauty cold with clay,
The free winds round her flowery head,
Her feet still rooted with the dead,

Leaned on the unconquered arms that clave
Her tomb like Judgment, and foreknew
The life for which you rent the grave,
Would rise to breathe, beam, beat for you,
In every pulse of passionate mood,
A people's glorious gratitude,-

But heard, far off, the mobled woe
Of some new plaintiff for the light;
And leave your dear reward, and go
In haste, yet once again to smite
The hills, and, like a flood, unlock
Another nation from the rock;

Oh ye who, sure of nought but God
And death, go forth to turn the page
Of life, and in your heart's best blood
Date anew the chaptered age;
Ye o'er whom, as the abyss
O'er Curtius, sundered worlds shall kiss,

Do ye dream what ye have done?
What ye are and shall be? Nay,
Comets rushing to the sun,
And dyeing the tremendous way
With glory, look not back, nor know
How they blind the earth below.

From wave to wave our race rolls on,
In seas that rise, and fall, and rise;
Our tide of Man beneath the moon
Sets from the verge to yonder skies;
Throb after throb the ancient might
In such a thousand hills renews the earliest height.

'Tis something, o'er that moving vast,
To look across the centuries
Which heave the purple of a past
That was, and is not, and yet is,
And in that awful light to see
The crest of far Thermopylæ,

And, as a fisher draws his fly
Ripple by ripple, from shore to shore,
To draw our floating gaze, and try
The more by less, the less by more,
And find a peer to that sublime
Old height in the last surge of time.

'Tis something: yet great Clio's reed,
Greek with the sap of Castaly,
In her most glorious word midway
Begins to weep and bleed;
And Clio, lest she burn the line
Hides her blushing face divine,

While that maternal muse, so white
And lean with trying to forget,
Moves her mute lips, and, at the sight,
As if all suns that ever set
Slanted on a mortal ear
What man can feel but cannot hear,

We know, and know not how we know,
That when heroic Greece uprist,
Sicilia broke a daughter's vow,
And failed the inexorable tryst,-
We know that when those Spartans drew
Their swords-too many and too few!-

A presage blanched the Olympian hill
To moonlight: the old Thunderer nods;
But all the sullen air is chill
With rising Fates and younger gods.
Jove saw his peril and spake: one blind
Pale coward touched them with mankind.

What, then, on that Sicanian ground
Which soured the blood of Greece to shame,
To make the voice of praise resound
A triumph that, if Grecian fame
Blew it on her clarion old,
Had warmed the silver trump to gold!

What, then, brothers! to brim o'er
The measure Greece could scarcely brim,
And, calling Victory from the dim
Of that remote Thessalian shore,
Make his naked limbs repeat
What in the harness of defeat

He did of old; and, at the head
Of modern men, renewing thus
Thermopylæ, with Xerxes fled
And every Greek Leonidas,
Untitle the proud Past and crown
The heroic ages in our own!

Oh ye, whom they who cry 'how long'
See, and-as nestlings in the nest
Sink silent-sink into their rest;
Oh ye, in whom the Right and Wrong
That this old world of Day and Night
Crops upon its black and white,

Shall strike, and, in the last extremes
Of final best and worst, complete
The circuit of your light and heat;
Oh ye who walk upon our dreams,
And live, unknowing how or why
The vision and the prophecy,

In every tabernacled tent-
Eat shew-bread from the altar, and wot
Not of it-drink a sacrament
At every draught and know it not-
Breathe a nobler year whose least
Worst day is as the fast and feast

Of men-and, with such steps as chime
To nothing lower than the ears
Can hear to whom the marching spheres
Beat the universal time
Thro' our Life's perplexity,
March the land and sail the sea,

O'er those fields where Hate hath led
So oft the hosts of Crime and Pain-
March to break the captive's chain,
To heal the sick, to raise the dead,
And, where the last deadliest rout
Of furies cavern, to cast out

Those Dæmons,-ay, to meet the fell
Foul belch of s


Scheme ABABCC DEDFGG HIHCJJ XKXKLL EBEBEH EMEMII NXNXOB PQPQRR SBBSEE ITITUU ECDXFD VWVWXX YZYZ1 1 X2 2 Q3 3 CXCLEE 4 5 5 4 II 6 3 3 6 PO XCXX7 7 R8 8 ROO CEEC9 9 XX
Poetic Form
Metre 11110101 1110101 1100100011 01110111 011101001 01110101 1101111 0111001 01111101 11111111 0100111001 01010010 1111011 11110101 01110101 01110111 01010101 01010101 11111111 01111101 11001111 101011 11011001 1011111 1111111 1110111 1010101 01000101 11011111 1110101 111110111 01110101 101110101 11011101 11010101 0101010101001 110101101 11010100 11010101 11011011 00110111 01111 01010111 101101111 111010101 01110111 01011101 11001111 1101111 110111 00110011 011101 01011101 1010101 11010111 01110101 10110101 11111101 1010101 11111101 11011111 1101011 01010101 01010001 1111111 11110011 0101001001 110111 11010111 11010101 111100111 11011111 111111 110011111 1101111 01011101 11101001 11010111 11101110 01011101 010100101 110111 1110101 10010101 11110101 11010101 11101 010011 101101 0010100101 11111111 10110001 11010111 11010101 11111101 1011101 11000101 11010101 01011101 111101101 01010111 01000100 010011 111101001 11110100 110010111 1010111 11110101 11011111 11010101 11110101 100101 11010100 1010101 10111111 11011101 111011 11011101 01011001 1110111 11111101 1111
Closest metre Iambic tetrameter
Characters 4,037
Words 783
Sentences 12
Stanzas 21
Stanza Lengths 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 6, 2
Lines Amount 122
Letters per line (avg) 26
Words per line (avg) 6
Letters per stanza (avg) 154
Words per stanza (avg) 37
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Submitted on May 13, 2011

Modified on March 05, 2023

3:58 min read
120

Sydney Thompson Dobell

Sydney Thompson Dobell, English poet and critic, was born at Cranbrook, Kent. more…

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