Analysis of Mountain Pictures

John Greenleaf Whittier 1807 (Haverhill) – 1892 (Hampton Falls)



I.
FRANCONIA FROM THE PEMIGEWASSET

Once more, O Mountains of the North, unveil
Your brows, and lay your cloudy mantles by
And once more, ere the eyes that seek ye fail,
Uplift against the blue walls of the sky
Your mighty shapes, and let the sunshine weave
Its golden net-work in your belting woods,
Smile down in rainbows from your falling floods,
And on your kingly brows at morn and eve
Set crowns of fire! So shall my soul receive
Haply the secret of your calm and strength,
Your unforgotten beauty interfuse
My common life, your glorious shapes and hues
And sun-dropped splendors at my bidding come,
Loom vast through dreams, and stretch in billowy length
From the sea-level of my lowland home!

They rise before me! Last night's thunder-gust
Roared not in vain: for where its lightnings thrust
Their tongues of fire, the great peaks seem so near,
Burned clean of mist, so starkly bold and clear,
I almost pause the wind in the pines to hear,
The loose rock's fall, the steps of browsing deer.
The clouds that shattered on yon slide-worn walls
And splintered on the rocks their spears of rain
Have set in play a thousand waterfalls,
Making the dusk and silence of the woods
Glad with the laughter of the chasing floods,
And luminous with blown spray and silver gleams,
While, in the vales below, the dry-lipped streams
Sing to the freshened meadow-lands again.
So, let me hope, the battle-storm that beats
The land with hail and fire may pass away
With its spent thunders at the break of day,
Like last night's clouds, and leave, as it retreats,
A greener earth and fairer sky behind,
Blown crystal-clear by Freedom's Northern wind!

II.
MONADNOCK FROM WACHUSET.

I would I were a painter, for the sake
Of a sweet picture, and of her who led,
A fitting guide, with reverential tread,
Into that mountain mystery. First a lake
Tinted with sunset; next the wavy lines
Of far receding hills; and yet more far,
Monadnock lifting from his night of pines
His rosy forehead to the evening star.
Beside us, purple-zoned, Wachuset laid
His head against the West, whose warm light made
His aureole; and o'er him, sharp and clear,
Like a shaft of lightning in mid-launching stayed,
A single level cloud-line, shone upon
By the fierce glances of the sunken sun,
Menaced the darkness with its golden spear!

So twilight deepened round us. Still and black
The great woods climbed the mountain at our back;
And on their skirts, where yet the lingering day
On the shorn greenness of the clearing lay,
The brown old farm-house like a bird's-nest hung.
With home-life sounds the desert air was stirred
The bleat of sheep along the hill we heard,
The bucket plashing in the cool, sweet well,
The pasture-bars that clattered as they fell;
Dogs barked, fowls fluttered, cattle lowed; the gate
Of the barn-yard creaked beneath the merry weight
Of sun-brown children, listening, while they swung,
The welcome sound of supper-call to hear;
And down the shadowy lane, in tinklings clear,
The pastoral curfew of the cow-bell rung.
Thus soothed and pleased, our backward path we took,
Praising the farmer's home. He only spake,
Looking into the sunset o'er the lake,
Like one to whom the far-off is most near:
'Yes, most folks think it has a pleasant look;
I love it for my good old mother's sake,
Who lived and died here in the peace of God!'
The lesson of his words we pondered o'er,
As silently we turned the eastern flank
Of the mountain, where its shadow deepest sank,
Doubling the night along our rugged road:
We felt that man was more than his abode,--
The inward life than Nature's raiment more;
And the warm sky, the sundown-tinted hill,
The forest and the lake, seemed dwarfed and dim
Before the saintly soul, whose human will
Meekly in the Eternal footsteps trod,
Making her homely toil and household ways
An earthly echo of the song of praise
Swelling from angel lips and harps of seraphim.


Scheme AB CACADEFDDGEXHGX BBIIJIKXKEFLLXMNBMBB AB OBBOPQPQBBIBXXI RRBNSBBTTBBSJISUOOIUOBXVVBBXWXWBXXH
Poetic Form
Metre 1 1101 1111010101 1101110101 0111011111 1001011101 110101011 1101101101 110111101 0111011101 11110111101 101011101 11101 11011100101 011111101 111101011 101101111 1101111101 1101111101 11110011111 1111110101 1110100111 0111011101 0111011111 0101011111 110101010 1001010101 1101010101 01001110101 1001010111 110101101 1111010111 01110101101 1111010111 1111011101 0101010101 1101110101 1 1011 1110010101 1011001011 010110101 01110100101 101110101 1101010111 101011111 1101010101 01110111 1101011111 11000101101 10111001101 0101011101 1011010101 1001011101 111011101 01110101101 01111101001 1011010101 0111110111 1111010111 0111010111 010100111 010111111 1111010101 10111010101 11110100111 0101110111 0101001011 01001010111 11011010111 1001011101 1001011001 1111011111 1111110101 1111111101 1101100111 01011111010 1100110101 1010111101 100010110101 1111111101 010111011 001101101 0100011101 0101011101 100001011 100101011 1101010111 1011010111
Closest metre Iambic pentameter
Characters 3,796
Words 683
Sentences 19
Stanzas 6
Stanza Lengths 2, 15, 20, 2, 15, 35
Lines Amount 89
Letters per line (avg) 34
Words per line (avg) 8
Letters per stanza (avg) 510
Words per stanza (avg) 113
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Submitted on May 13, 2011

Modified on March 05, 2023

3:28 min read
76

John Greenleaf Whittier

John Greenleaf Whittier was an influential American Quaker poet and ardent advocate of the abolition of slavery in the United States. more…

All John Greenleaf Whittier poems | John Greenleaf Whittier Books

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