Analysis of In The Harbour: Elegiac Verse



I.
Peradventure of old, some bard in Ionian Islands,
Walking alone by the sea, hearing the wash of the waves,
Learned the secret from them of the beautiful verse elegiac,
Breathing into his song motion and sound of the sea.

For as the wave of the sea, upheaving in long undulations,
Plunges loud on the sands, pauses, and turns, and retreats,
So the Hexameter, rising and singing, with cadence sonorous,
Falls; and in refluent rhythm back the Pentameter flows.

II.
Not in his youth alone, but in age, may the heart of the poet
Bloom into song, as the gorse blossoms in autumn and spring.

III.
Not in tenderness wanting, yet rough are the rhymes of our poet;
Though it be Jacob's voice, Esau's, alas! are the hands.

IV.
Let us be grateful to writers for what is left in the inkstand;
When to leave off is an art only attained by the few.

V.
How can the Three be One? you ask me; I answer by asking,
Hail and snow and rain, are they not three, and yet one?

VI.
By the mirage uplifted, the land floats vague in the ether,
Ships and the shadows of ships hang in the motionless air;
So by the art of the poet our common life is uplifted,
So, transfigured, the world floats in a luminous haze.

VII.
Like a French poem is Life; being only perfect in structure
When with the masculine rhymes mingled the feminine are.

VIII.
Down from the mountain descends the brooklet, rejoicing in
freedom;
Little it dreams of the mill hid in the valley below;
Glad with the joy of existence, the child goes singing and
laughing,
Little dreaming what toils lie in the future concealed.

IX.
As the ink from our pen, so flow our thoughts and our feelings
When we begin to write, however sluggish before.

X.
Like the Kingdom of Heaven, the Fountain of Youth is within us;
If we seek it elsewhere, old shall we grow in the search.

XI.
If you would hit the mark, you must aim a little above it;
Every arrow that flies feels the attraction of earth.

XII.
Wisely the Hebrews admit no Present tense in their language;
While we are speaking the word, it is is already the Past.

XIII.
In the twilight of age all things seem strange and phantasmal,
As between daylight and dark ghost-like the landscape appears.

XIV.
Great is the art of beginning, but greater the art is of ending;
Many a poem is marred by a superfluous verse.


Scheme ABXCD BXEX AFC AFX GFG DCX AHXXX GHX GXXIXCX BXX XEX DXX BXX BIX GCX
Poetic Form
Metre 1 111110110 10011011001101 1010111010011 1001111001101 11011011011 1011011001001 10110010110100 1001101011 1 1011011011011010 10111011001001 1 10100101110111010 111101101101 1 111101101111001 11111111001101 1 110111111110110 101011111011 1 100110001110010 1001111001001 11011010101011100 11011001001 1 1011011101001010 11010011001001 1 1101001010100 10 10111011001001 11011010011100 10 1010111001001 1 10111011110101010 110111101001 1 1010110010111011 111111111001 1 111101111010011 10010111001011 1 10010111010110 111100111101001 1 00111111101 101101110101 1 11011010110011110 100101110101
Closest metre Iambic pentameter
Characters 2,262
Words 427
Sentences 32
Stanzas 15
Stanza Lengths 5, 4, 3, 3, 3, 3, 5, 3, 7, 3, 3, 3, 3, 3, 3
Lines Amount 54
Letters per line (avg) 33
Words per line (avg) 8
Letters per stanza (avg) 119
Words per stanza (avg) 28
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Submitted on May 13, 2011

Modified on March 05, 2023

2:08 min read
105

Henry Wadsworth Longfellow

Henry Wadsworth Longfellow was an American poet and educator whose works include "Paul Revere's Ride", The Song of Hiawatha, and Evangeline. more…

All Henry Wadsworth Longfellow poems | Henry Wadsworth Longfellow Books

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