Analysis of De Profundis



The face, which, duly as the sun,
Rose up for me with life begun,
To mark all bright hours of the day
With hourly love, is dimmed away—
And yet my days go on, go on.

The tongue which, like a stream, could run
Smooth music from the roughest stone,
And every morning with ' Good day'
Make each day good, is hushed away,
And yet my days go on, go on.

The heart which, like a staff, was one
For mine to lean and rest upon,
The strongest on the longest day
With steadfast love, is caught away,
And yet my days go on, go on.

And cold before my summer's done,
And deaf in Nature's general tune,
And fallen too low for special fear,
And here, with hope no longer here,
While the tears drop, my days go on.

The world goes whispering to its own,
‘This anguish pierces to the bone;’
And tender friends go sighing round,
‘What love can ever cure this wound ?'
My days go on, my days go on.

The past rolls forward on the sun
And makes all night. O dreams begun,
Not to be ended! Ended bliss,
And life that will not end in this!
My days go on, my days go on.

Breath freezes on my lips to moan:
As one alone, once not alone,
I sit and knock at Nature's door,
Heart-bare, heart-hungry, very poor,
Whose desolated days go on.

I knock and cry, —Undone, undone!
Is there no help, no comfort, —none?
No gleaning in the wide wheat plains
Where others drive their loaded wains?
My vacant days go on, go on.

This Nature, though the snows be down,
Thinks kindly of the bird of June:
The little red hip on the tree
Is ripe for such. What is for me,
Whose days so winterly go on?

No bird am I, to sing in June,
And dare not ask an equal boon.
Good nests and berries red are Nature's
To give away to better creatures, —
And yet my days go on, go on.

I ask less kindness to be done, —
Only to loose these pilgrim shoon,
(Too early worn and grimed) with sweet
Cool deadly touch to these tired feet.
Till days go out which now go on.

Only to lift the turf unmown
From off the earth where it has grown,
Some cubit-space, and say ‘Behold,
Creep in, poor Heart, beneath that fold,
Forgetting how the days go on.’

What harm would that do? Green anon
The sward would quicken, overshone
By skies as blue; and crickets might
Have leave to chirp there day and night
While my new rest went on, went on.

From gracious Nature have I won
Such liberal bounty? may I run
So, lizard-like, within her side,
And there be safe, who now am tried
By days that painfully go on?

—A Voice reproves me thereupon,
More sweet than Nature's when the drone
Of bees is sweetest, and more deep
Than when the rivers overleap
The shuddering pines, and thunder on.

God's Voice, not Nature's! Night and noon
He sits upon the great white throne
And listens for the creatures' praise.
What babble we of days and days?
The Day-spring He, whose days go on.

He reigns above, He reigns alone;
Systems burn out and have his throne;
Fair mists of seraphs melt and fall
Around Him, changeless amid all,
Ancient of Days, whose days go on.

He reigns below, He reigns alone,
And, having life in love forgone
Beneath the crown of sovran thorns,
He reigns the Jealous God. Who mourns
Or rules with Him, while days go on?

By anguish which made pale the sun,
I hear Him charge his saints that none
Among his creatures anywhere
Blaspheme against Him with despair,
However darkly days go on.

Take from my head the thorn-wreath brown!
No mortal grief deserves that crown.
O supreme Love, chief misery,
The sharp regalia are for Thee
Whose days eternally go on!

For us, —whatever's undergone,
Thou knowest, willest what is done,
Grief may be joy misunderstood;
Only the Good discerns the good.
I trust Thee while my days go on.

Whatever's lost, it first was won;
We will not struggle nor impugn.
Perhaps the cup was broken here,
That Heaven's new wine might show more clear.
I praise Thee while my days go on.

I praise Thee while my days go on;
I love Thee while my days go on:
Throug


Scheme aabbC adbbC acbbC aefgc ddhhC aaiiC ddxxc aaxic jekkc eellC aammc adnnc aaooc aappc cdqqc edrrc ddssc dcttc aauuc jjkkc xavvc aegfC Ccx
Poetic Form
Metre 01110101 11111101 111110101 11011101 01111111 01110111 11010101 010010111 11111101 01111111 01110111 11110101 01010101 1111101 01111111 01011101 010101001 010111101 01111101 10111111 011100111 1101101 01011101 11110111 11111111 01110101 01111101 11110101 01111101 11111111 11011111 11011101 11011101 11110101 11111 11010101 11111101 1100111 11011101 11011111 11010111 11010111 01011101 11111111 111111 11111101 01111101 110101110 110111010 01111111 11110111 10111101 11010111 110111101 11111111 1011011 11011111 11010101 10110111 01010111 1111111 011101 11110101 11111101 11111111 11010111 110010111 11010101 01111111 11110011 011101 11110101 11110011 110101 010010101 11110101 11010111 01010101 11011101 01111111 11011101 10110111 1111101 0111011 10111111 11011101 01010101 01011101 11010111 11111111 11011101 11111111 0111010 1011101 1010111 11110111 11010111 10111100 01010111 11010011 111001 111111 1111001 10010101 11111111 1011111 11110101 01011101 110111111 11111111 11111111 11111111 1
Closest metre Iambic tetrameter
Characters 3,938
Words 772
Sentences 44
Stanzas 23
Stanza Lengths 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 5, 3
Lines Amount 113
Letters per line (avg) 26
Words per line (avg) 7
Letters per stanza (avg) 130
Words per stanza (avg) 32
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Submitted on May 13, 2011

Modified on May 01, 2023

3:54 min read
158

Elizabeth Barrett Browning

Elizabeth Barrett Browning was one of the most prominent English poets of the Victorian era. more…

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